Self Immolation
Some interesting and timely extracts from Stud Terkel’s famous book Working where various people were interviewed in the early '70s on what they thought about their work.
Till today, being ethical in daily life seems difficult to ground into ‘reality’.
Nick Lindsay (Carpenter/Poet)
[page 520]
“…It seems like the vast comedy of things when a Yankee come and got us to build their H-bomb, part of the fine comedy that she should come and give us the first living wage since the War of Northern Aggression – for this.
In Bloomington, Indiana, I saw a lot of women make their living making bombs. They had a grand picnic when they built the millionth bomb. Bombs they’re dropping on people. And the students came to demonstrate against the bombs. Maybe these women see no sense in what they’re doing but they see their wages in what they’re doing…
…Work’s quite a territory. Real work and fake work. There’s fake work, which is the prostitution. There is the magic of payday, though. You’ll say, ‘Well, if you get paid for your work, is that prostitution?’ No indeed. But how are you gonna prove it’s not? A real struggle there. Real work, fake work, and prostitution. The magic of payday. The groceries now heaped on the table and the new-crop wine and store-bought shirts. That’s what it says, yes.”
Nora Watson (Editor)
[pages 523-24]
“A guy was in the office next to mine. He’s sixty-two and he’s done. He came to the Institution in the forties. He saw the scene and said: ‘Yes, I’ll play drone to you. I’ll do all the piddly things you want. I won’t upset the apple cart by suggesting anything else.’ With a change of regimes in our department, somebody came across him and said, ‘Gee, he hasn’t contributed anything here. His mind is set in old attitudes. So we’ll throw him out.’ They fired him unceremoniously, with no pension, no severance pay, no nothing. Just out on your ear, sixty-two. He gets back zero from having invested so many years playing the game.
The drone has his nose to the content of the job. The politicker has his nose to the style. And the politicker is what I think our society values. The politicker, when it’s apparent he’s a winner, is helped. Everyone who has a stake in being on the side of the winner gives him a boost. The minute, I finally realized the way to exist at the Institution – for the short time I’ll be here – was not to break my back but to use it for my own ends, I was a winner.
…When you ask most people who they are, they define themselves by their jobs. ‘I’m a doctor.’ ‘I’m a radio announcer.’ ‘I’m a carpenter.’ If somebody asks me, I say, ‘I’m Nora Watson.’ At certain points in time I do things for a living. Right now I’m working for the Institution. But not for long. I’d be lying to you if I told you I wasn’t scared.
I have few options. Given the market. I’m going to take the best job I can find. I really tried to play the game by the rules, and I think it’s a hundred percent unadulterated bullshit. So I’m not likely to go back downtown and say, ‘Here I am. I’m very good, hire me.’
You recognize yourself as a marginal person. As a person who can give only minimal assent to anything that is going on in this society: ‘I’m glad electricity works.’ That’s about it. What you have to find is your own niche that will allow you to keep feeding and clothing and sheltering yourself without getting downtown. (Laughs.) Because that’s death. That’s really where death is.”
Walter Lundquist (Industrial Designer)
[Pages 525-27]
“…I wanted to be at the drawing board, creative, doing something I believed in. But I became a pimp. I didn’t start drinking until I was thirty…I found I could out drink any of my clients. They got drunk I didn’t. What an absurd way to live! To make money because you could booze it up and cater to someone else’s frailty. His need for a boot licker’s comradeship, listening to his cheap jokes at some expensive bar. I got work alright, but it made me sick. I couldn’t stand it.
We had a client who was providing additives to meats and food preparations. My job was to make it into a trade publication ad. I'm sitting at these meetings with the president of the company and the sales manager. We’re out to provide a service to the meat packers so they can cheat government analysts who are going to inspect the sausages. They don’t see it as cheating. I say, ‘Why are we doing this ad for mustard?’ They say, ‘Mustard acts as a binder.’ It holds together the globules of fat the client is putting in. So we make a living selling mustard because the guy wants to put fat instead of meat protein in there. So the public's being cheated and these sons of bitches are out there playing golf…
…The turning point in my life was the death of my father. It was a funny thing. Here you’re watching a beautiful guy with white hair lying in his bed, dying of a heart attack. You hear him ramble and wander and talk about his life: ‘I was never anything. I didn’t do a job even in raising my children. I didn’t mean anything…’ You watch death. Then you say, ‘Wait a minute. What’s going on with him is going to hit me. What am I doing between now and my death? If you take actuarial tables of insurance companies, I’m running on borrowed time.’ You begin to assess yourself and that’s a shock. I didn’t come up smelling like a rose. ‘Am I going to go on forever being a goddamn pimp? What’s the alternative? Is there another way of earning a living?’
…At this moment I have a job on the drawing board that’s pretty good. This one client has some degree of conscience. It’s an ecology poster for children, given away as a premium. It’s a beautiful thing to hang on the wall, acquainting a child with the cycle of life.
…I’m struggling to survive. I’m running out of funds. I may have to pimp again for survival’s sake. But I’ll not give up the sane work. I’m scurrying about. If it doesn’t work, I may do somewhat what young people do and drop out. I’ll stop existing in society. I’ll work on a road crew. I’ll cut lumber of whatever the hell it’ll be. But I’ll never again play the full-time lying dishonest role I’ve done most of my life.
Once you wake up the human animal you can’t put it back to sleep again.”
In the twenty first century, so far, not much has changed since Upton Sinclair’s The Jungle (read the uncensored original edition).
And now, for a little burst of freedom:
